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By (author) ARISTOTLE; By (author) Aristotle

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This text examines Aristotle”s “Rhetoric” as a classic treatise on the arts of public speaking and persuasion which played a role in the civic life of Greece. These arts, which evolved a highly formalized tradition of technique, were connected with the study of political and moral theory.

With the emergence of democracy in the city-state of Athens in the years around 460 BC, public speaking became an essential skill for politicians in the Assemblies and Councils – and even for ordinary citizens in the courts of law. In response, the technique of rhetoric rapidly developed, bringing virtuoso performances and a host of practical manuals for the layman. While many of these were little more than collections of debaters” tricks, the Art of Rhetoric held a far deeper purpose. Here Aristotle (384-322 BC) establishes the methods of informal reasoning, provides the first aesthetic evaluation of prose style and offers detailed observations on character and the emotions. Hugely influential upon later Western culture, the Art of Rhetoric is a fascinating consideration of the force of persuasion and sophistry, and a compelling guide to the principles behind oratorical skill.

Table of contents
The Art of Rhetoric – AristotleTranslated with an Introduction and Notes by Hugh Lawson-Tancred

Preface
Introduction:
1. The Importance of Ancient Rhetoric
2. The Historical Background to the Rhetoric
3. Rhetoric as Techne
4. Psychology in the Rhetoric
5. Style and Composition
6. The Rhetorical Legacy of Aristotle
7. The Translation

THE ART OF RHETORIC
Section One: Introductory
Chapter 1.1. The Nature of Rhetoric
PART ONE: DEMONSTRATION
Section Two: The Genres of Oratory
Chapter1.2. The Definition of Rhetoric
Chapter 1.3. The Genres

Section Three: Deliberation
Chapter 1.4. The Province of Deliberation
Chapter 1.5. Happiness
Chapter 1.6. The Good and the Expedient
Chapter 1.7. Relative Expediency
Chapter 1.8. Constitutions

Section Four: Display
Chapter 1.9. Display Oratory

Section Five: Litigation
Chapter 1.10. Injustice
Chapter 1.11. Pleasure
Chapter 1.12. The Criminal Mind
Chapter 1.13. Crime and Punishment
Chapter 1.14. Relatively Serious Crimes
Chapter 1.15. Non-technical Proofs
PART TWO: EMOTION AND CHARACTER
Section Six: Emotion
Chapter 2.1. The Role of Emotion and Character
Chapter 2.2. Anger
Chapter 2.3. Calm
Chapter 2.4. Friendship and Enmity
Chapter 2.5. Fear and Confidence
Chapter 2.6. Shame
Chapter 2.7. Favour
Chapter 2.8. Pity
Chapter 2.9. Indignation
Chapter 2.10. Envy
Chapter 2.11. Jealousy

Section Seven: Character
Chapter 2.12. Youth
Chapter 2.13. Old Age
Chapter 2.14. Prime
Chapter 2.15. Birth
Chapter 2.16. Wealth
Chapter 2.17. Power
PART THREE: UNIVERSAL ASPECTS
Section Eight: Common Topics
Chapter 2.18. The Role of Common Topics
Chapter 2.19. The Topics of Possibility
Chapter 2.20. Example
Chapter 2.21. Maxim
Chapter 2.22. Enthymeme
Chapter 2.23. Demonstrative Common Topics
Chapter 2.24. Illusory Topics
Chapter 2.25. Refutation
Chapter 2.26. Amplification

Section Nine: Style
Chapter 3.1. Historical Preliminary
Chapter 3.2. Clarity
Chapter 3.3. Frigidity
Chapter 3.4. Simile
Chapter 3.5. Purity
Chapter 3.6. Amplitude
Chapter 3.7. Propriety
Chapter 3.8. Rhythm
Chapter 3.9. Syntax
Chapter 3.10. Wit and Metaphor
Chapter 3.11. Vividness
Chapter 3.12. Suitability to Genre

Section Ten: Composition
Chapter 3.13. Narration and Proof
Chapter 3.14. T